Brother, I Can See Your Skull.

Brother, I Can See Your Skull. - The Coreyshead Blog

2012 Calendar
of Robots & Monsters
out now!
Corey's Head 2012 Calendar of Robots & Monsters

Aquarius: Feb. 16-March 11

February 16th, 2012 by cae

Aquarius

 

Aquarius, the Water Bearer is the twelfth sign of the Zodiac, representing advanced thought and acceptance as well as wrinkled fingers and damp socks.

The Water Bearer, it is said, brings us truth and wisdom of which we can all partake, but keeps the corn-nuts for itself.

Those born under this sign are often known for their idiosyncratic behavior. Regulating said behavior is difficult, second-guessing them impossible; a heavy wrench upside the back of their noggin is about your only choice.

Approaching the world with open arms, Aquarians are often baffled by rejection and have been known to respond with gunfire.

Aquarians value high-ideals and scientific truths, striving to maintain objectivity. Because of this, Aquarians often seem cold and unemotional but, once you get to know them, you’ll find that their aloofness is far preferable to their familiarity.

Aquarians need much latitude to exercise their imagination and should be granted it for, with enough rope, they are bound to eventually hang themselves.

Your Horoscope:

This period may portend the successful culmination of an ambitious project, so reload and continue firing; you’re bound to hit a few more before you’re apprehended. Also, this is a good day to plan your redecorating because, frankly, that burned down look went out with the Blitz. Talk among friends or co-workers can be quite enjoyable at this time. No, now! Quick, before the boss appears.

Mausoleum of the Muse

February 13th, 2012 by cae

Sometimes
at this age
in this stage
I feel like
a ghost
maintaining
a museum
for a personality
that never
fully materialized
Dusting sorting
arranging and
cataloguing
elements of
what could have been
had the spirit
of the artist
survived
It fusses about
in a labor of
unrequited love
Familiar and integral
with all that surrounds
yet apart, indistinct
and irrelevant
A shadow of
a disconnected
memory from
a time and place
unfamiliar
Dry hollow
insubstantial
A soulless soul
far less
than the whole
of the potential
of what it maintains
Still
at the corners
new shoots of green
wait to be tended
Brother,
I can see your skull

Excerpt From A Story I Can’t Imagine I’ll Ever Write

January 31st, 2012 by cae

clownie

 

Chapter 12

in which we find our heroes on a precarious ledge over the clown pit

 

Jimmy’s upper lip was trembling and beaded with sweat.

“You have to go,” Chip whispered, indicating the access door some thirty feet away. The ledge leading to it was only four inches wide. Ten feet below, a crowd of multi-hued clowns perambulated in aimless circles, awaiting their turn on the hard packed dirt of the coliseum’s triple rings.

Chip understood Jimmy was afraid of heights – heck, he had his own fears with this particular obstacle – but he was also angry with Jimmy’s hesitation, his weakness.
‘Just move!’ he wanted to yell, his own fear of never getting out of this strange and dark world once again nearly getting the best of him. “Look, it’ll be alright,” he said instead. “Just like the barn.”
“It’s not just like the barn,” Jimmy whispered back.
“Sure it is,” Chip soothed. “Just pretend, instead of a ledge, it’s the beam across the haymow. You can do it. We have to get home! You want to go home, don’t you?”

Jimmy swallowed hard, then nodded and tucked the star wand into the neck of his shirt, being careful not to bend or tear it. Scooting forward on the seat of his jeans, he edged off the small metal platform and, gripping the handrail he had just slid under, stood up on the ledge. He looked back at Chip again, then shuffled out along the ledge until his arm was at full stretch. The susurrus of the shuffling clowns filled the air and their stale, cotton candy scent wafted up in cloying, undulating clouds of motes, further choking his already shaky concentration.

Chip placed his own hand on top of Jimmy’s and edged forward, blocking the potential for retreat. The fear in Jimmy’s eyes looked to quickly be sliding into something wild. “It’s okay,” Chip murmured, squeezing the tight knuckled back of Jimmy’s hand. “You can do it. Just don’t look down. Do you want me to hold the wand?”
Jimmy shook his head no, then turned to look at the hatchway at the other end of the ledge and, releasing his hold on the railing, eased forward again with tentative, sliding steps.

Chip waited, watching, then moved onto the ledge himself and suddenly understood Jimmy’s fear: holding onto the platform railing, the ledge seemed wide enough for comfort but, once away, the cold of the wall leaned against him, seeming to push him into the void with real purpose. The ceiling, mere inches above his head, furthered this sense of malign bullying. Dust and loose flakes of concrete crunched and fell from the ledge with each shuffling step, threatening to give them away to the senseless foe below.

Chip glanced up to see how Jimmy was doing and his heart began hammering in his chest. Jimmy had made it to the middle of the expanse but was trembling, arms outstretched as if to hug the flatness of the wall, his back arched in a struggle to retain his eroding balance.

“Hold on,” Chip hissed, knowing there was nothing to hold on to, and urged himself forward along the thin, crumbling lip, his own fears forgotten.

Jimmy turned his head to shoot Chip a frightened look then succumbed, tumbling backwards off the ledge with an unbelievable slowness, his limbs windmilling, silent, pointless. He seeming to hang in the air a moment before plunging, with a splash of wigs, foam noses, and conical hats, into a cluster of startled, bleating clowns .

Chip held his breath and watched the confusion, not daring to believe that Jimmy could survive such a fall, even with the terrible, soft and sparkly clowns to land on.

The crowd of gaily colored buffoons mewled and barked as it thrashed to twist away from whatever had crashed into its midst. Stripped and polka-dotted outfits bulged and crinkled away from the center of the chaos. Jimmy got to his feet, somehow unfazed, and began to claw his way through the rainbow-hued confusion, looking for an exit.

The clowns parted at the surprising physicality of his insistence, too busy trying to protect the delicacy of their painted and primped exteriors to stop him but a great bull of a clown, towering head and shoulders over the others with a poof of orange nylon hair and a broad, crimson smile, stomped towards the cause of the disturbance, each step punctuated by the honking of his bulb-horn shoes.

“Look out, Jimmy!” Chip cried. “Go to your left, to your left!”

Jimmy was too far from the holding pen door to be able to make it safely. The only exit within reach was the wide, curtained entrance to the coliseum. He glanced upward at Chip in affirmation, then looked back at the approaching bull clown and started shoving his way towards the coliseum entrance.

Chip worked his way along the edge, still unnoticed by the clowns despite his shouting. He was so close to the other platform now. If he could only  make the door …

The bedlam increased as the bull clown, spotting Jimmy, forced his way forward through the agitated crowd, his striding bulk wreaking even more havoc than his quarry. The great puffballs on his elbows flattened bulging noses, tore ruffled collars, and smeared grease paint expressions of staring delight to indignant shock as he swaggered through, grunting out menacing barks of laughter as he went. The milling mass of terrified clowns did their best to part before their hulking brother but many were trampled and left miming their woe in his wake, their ridiculous, circus-tent legs splayed out before them as they wept and were comforted. An asynchronous chorus of dramatic nose blowings accompanied the appearance of uncounted polka-dotted hankies.

Jimmy reached the velvet rope of the coliseum entrance a few steps ahead of the bull clown but found he could neither unhook it from the stanchion nor duck under it; another unexpected magic barrier.
Chip was still frozen on the ledge, his eyes, his heart, torn between freedom and the drama unfolding below. His fear begged him to keep moving but what about Jimmy? He couldn’t leave him now, could he? The answer was in his heart. Gritting his teeth, he located a cluster of softer looking clowns and leapt from the ledge.

Jimmy pulled the star-wand from his shirt and spun, walking back to face the bull clown as it burst through the edge of the frightened, baying crowd. The gargantuan harlequin reared back on its oversized shoes, laughed a loud and challenging guffaw, then crouched to spring, performing a classically-comic yet frightening running leap at the boy. Jimmy cowered, thrusting the star-wand at his assailant, his head turned away, eyes closed.

The trusting defiance with which Jimmy’s tiny hand thrust forward the wand, this construction-paper star with its flaking sparkles and loose-stapled connection to the rolled paperboard handle, unnerved the clown and it clawed the air with powerless, white-gloved hands as it fell towards the otherwise pathetic looking, homemade talisman.

There was a poof and a tearing sound as the clown hit the nearest point of the star. Jimmy disappeared in a cloud of rolling, flashpowder smoke and the collapsing shape of the bull clown’s voluminous, multi-colored bodysuit. Chip, recovering from his landing, stared in disbelief as beads, confetti, noise makers, popcorn, and individually wrapped hard-candies cascaded in a torrent out of the rent in the deflating bull clown’s midsection. It honked and flailed as it collapsed in upon itself, the head wrinkling up like an old, failed balloon. The air around the wreck was filled with a hail of small plastic charms, gumballs, and foil streamers that flew out from the clown’s frantic, final death shudders. Chip could just make out Jimmy, on his knees and gasping, as he fought to keep his head above the mortal avalanche of carny crapola.

Shoving his way through the petrified tumult of clowns, Chip yanked Jimmy to his feet. Jagged bits of glitter and plastic confetti stuck to the moisture of Jimmy’s lips, irritated his eyes, and hung snagged in his hair. “It itches,” he cried, clawing at his shirt and shaking a leg to rid his clothing of the carnival gore. A necklace of transparent green plastic dangled from one of his ears.

“We’ve got to get out of here!” Chip cried. All around them the collective anger of the milling clowns was growing. He pulled Jimmy, still half-blind and stumbling, toward the velvet rope.
“It’s no use,” Jimmy coughed. “You can’t move the rope!”
“I can’t – but I bet we can!” Chip replied, guiding Jimmy’s hand with his own toward the rope’s hooked end.

Sensing their imminent escape, the clowns roared to life and charged but, as Chip expected, the thick, maroon barrier of serpentine velvet responded with ease to the boys’ unified touch. Together they lifted it free of the chrome stanchion’s loop and were running forward into the curtained entrance when Jimmy turned, shouting “Wait! The wand!” but it was too late. The wall of enraged clowns hit them like a wave, lifting them off their feet and sweeping them out under the all-seeing glare of the coliseum’s triple spotlights.

 

Capricorn: Jan. 20-Feb. 16

January 20th, 2012 by cae

Capricorn

 

Capricorn, the Goat, is the eleventh sign of the Zodiac and represents a serious, mature outlook and an awareness of our relation to the universe, though, on the weekends, the sign spends much of its time downing beers and chasing sorority girls.

Capricorns tend towards the conservative but this does not hinder their forward drive as they motor on like dutiful lawnmowers, chewing through life’s yard and unexpectedly firing out the occasional rock.

Those born under this sign have an instinctive knowledge of power and how it works, easily gaining themselves a corner office and a key to the executive men’s washroom through a tireless campaign of intense brown-nosing and nasty, interoffice politics.

They’re not necessarily dictatorial, however, specializing instead in telling others how to do things and practicing how to perfectly intone the phrase “I told you so”.

Generally, Capricorns give the impression of having an impressive wealth of knowledge at their fingertips, despite the fact that the bulk of them couldn’t pour piss out of a boot if the instructions were written on the heel.

Many astrologers say that Capricorn is the most difficult astrological sign to characterize, proving that astrologers are all just a bunch of hacks and snake-oil salesman after all.

Despite this, it is known that Capricorns do all seem to share a sense of fatalism, suspicion, a lack of flexibility and, most distastefully, chewing gum.

Your Horoscope:

You will impress people in conversations, especially if you start brushing, flossing and gargling a wee bit more often. No one likes their eyebrows melted off. Tremendous mental energy may now boost your ego – but where to find it? If unattached, you could be viewing the opposite sex with renewed interest (not to mention binoculars). If you’re attached, try using a solvent of some type or perhaps a crowbar. This could be a great day to start a new relationship!

No Chairs? Rip Off!

January 18th, 2012 by cae

No Chairs

 

Having just moved into a larger space, I’ve spent a lot of time keeping an eye on the local “lightly used” stores.

I’ve not found too much of real interest – but a sense of humor is always a good find.

in vino macula

December 31st, 2011 by cae

The Worst of Tines

 

Inveterate invertebrates
reverberate inebriatedly
in late hour-debate
the long lines of
their fork tines’
entwined designs
refined by
warm wet wine
and rippled lips
that sipping
grip
scrape and nip
at the wobbling drips
which slip and slop to drop
splashing gaily and
blossom staining
the plain of the
coarse cotton
tablecloth’s demesne

cae 2011

(k)Not

December 30th, 2011 by cae

Too Many

 

the scribbler dribbles
terse and taut
in scripted knots
and curdled clots
upon the page
so strange
enraged
he writes away
derangement’s fray
which fragments then
a deeper thought
for praise
in cash
that helps him
(k)not

cae 2011

MODULAR: Sonic Explorations – The Recordings of 2011

December 20th, 2011 by cae


MODULAR: Sonic Explorations

 

I stumbled across “MODULAR: Sonic Explorations” while hunting for an Eyvind Kang track on YouTube. Situations such as this make me reflect that, while I miss record stores terribly, dammit, I love the internet.

While Eyvind is featured on the album, it is really a vehicle for guitarist Dan Phelps, drummer Matt Chamberlain, and bassist Viktor Krauss to riff off the philosophical question “What might it sound like if you were to connect with the world as a musical instrument?”

Say what?

According to the project blurbiage:
“The Modular Project is the collaboration of a select group of sonic technicians working together to discover what the spontaneous and organic manipulation of sound can yield. Inspired by the world around them, they set out to discover what it might sound like when continents shift, clouds form, and roots push through soil.
Capturing and manipulating the hum of the natural world, their results show that there are as many answers as there are questions, that in seeming chaos there is order, and within that order there are new undiscovered truths waiting to be revealed.”

The album cover contains a silhouette of a fancifully designed sensory device complete with gramophone horn decorated ala hypno-spiral and the associated booklet contains photographs of said device apparently taking the aural readings of various natural environments, one each per song. The device and photos (and resulting gallery display) all by Seattle artist, (and Murder City Devils guitarist) Nate Manny.

Got that? Okay: great but what hooked me wasn’t the concept or the packaging, it was the music. I listened to a big chunk of the opening track, “Everest,” on YouTube, then snippets of three others on the site and that was all I needed: YOINK.

Of the four musicians on the album, it didn’t hurt that I recognized and trust Eyvind Kang, enjoy Viktor Krauss’ first album, “Far From Enough,” and am a big fan of Matt Chamberlain’s 2009 collaboration with Bill Frisell, Tucker Martine, and Lee Townsend: “Floratone.” The only one new to me was Dan Phelps – and you can bet I’ll be exploring his work right soon.

The 6 tracks on “MODULAR: Sonic Explorations” are sprawling, haunting, slow-building, and expansive; instrumental expressions of great warmth and beauty, evoking … well, whatever they evoke for you. The sound is reminiscent of that produced by Chicago’s Tortoise but with a more organic, open, less urban, feel: the northwest coast is here. Keyboard, guitar, drums, and bass are prominent, with electronic, sampled, and manipulated textures kiting in and out, underfoot and overhead, as well as the occasional inclusion of the always welcome sound of Eyvind Kang’s bowed strings.

These are longish pieces, the shortest coming in at just under 7 minutes, and they are given the chance to develop and arc without feeling constrained or going stale. While not terribly challenging, there are some dissonant and more deeply distorted elements thrown in here and there to hint, perhaps, at the underlying darkness inherent in the part of nature’s order that we misunderstand and label as chaos.

Overall, “MODULAR: Sonic Explorations” offers a lovely, thrilling, and hypnotic ride with the only downside being that you can’t buy the cd – you have to make one.

The recordings can be purchased in either a meticulously produced, gate-fold vinyl set or in one of a variety of downloadable formats at: oceanographicrecords.bandcamp.com/album/modular

 
Go ahead and have a listen if you don’t believe me:

 

Further explorations:

The Project:
www.modular-project.com
www.seattleweekly.com/2011-07-06/arts/collector-of-the-inaudible
www.buyolympia.com/q/Item=nate-manny-print-everest

The Collaborators
www.mattchamberlain.com
www.viktorkrauss.com
www.danphelps.net
www.myspace.com/eyvindkangeyvind
www.natemanny.com

Sagittarius: Dec. 17-Jan. 20

December 19th, 2011 by cae

Sagittarius

 

Sagittarius, the Archer, is the tenth sign of the Zodiac, representing expansive optimism, an ever-growing life philosophy, and a casual attitude regarding road apples on the carpet.

Sagittarius is depicted as a centaur: half-man, half-horse and all laughs, cantering about the ballroom of life spitting the hapless with mischievously aimed arrows.

Sagittarians have strong ethics when it comes to beliefs and honesty of intentions, both in themselves and others, but said beliefs and intentions are not necessarily what you might expect, leading some born under the sign to insist, for example, that everyone shoplift.

Having a positive outlook on life, Sagittarians can get too caught up in disputes over their idealistic opinions, and are capable of chuckling good-naturedly as they crack your ribs for disagreeing with them.

Sagittarians are eternal students and spend their lives seeking to learn more, ditching on Fridays and occasionally firing spitballs at the backs of other people’s heads.

Born under the sign of the Centaur, Sagittarians are particularly interested in nature and animals, forever carrying twigs and dirt about in their pants pockets and having questionable relations with creatures of all kinds.

Many Sagittarians go as far as rejecting society’s values and can sometimes be seen dressed in rags, mumbling incoherently to themselves, and collecting bright bits of glass along the side of the highway.

Your Horoscope:

This is the day before the night before the week of the beginning of the rest of your life, so have a beer. No, not that one: it’s pathetically bland. I meant a real beer.

Poems and Thoughts From Deep Within A New Age Hell

December 17th, 2011 by cae


Buddha Hand-o-rama

 

I spent five years in the early/mid 2000′s working at a new age bookstore. While I met some good people during my time there, made some good friends, found many good books and gew-gaws, the bulk of it was spent shaking my head in pained disbelief. A person of my spirituality (zilch) does not belong in such a place but I have to admit I learned a lot about human behavior and got a lot of material. Here is a smidgen from one of my notebooks of the time.

 

Plastic Personal

Eyes closed
lips pursed intent
the pudgy fingers peck
and pluck
at the bowl of cards
Which one will
fate place in her hands
for her eyes
and heart
to tell her
her mind?
The card says:
Focus

- – - – -

Self-Fulfilling Prophecy

Wishing wells
and ringing bells
eenie meenie miney moe
pendulum tell me
what I already know:
It Will Happen!

- – - – -

The Psychic

“Do I have any appointments today?”

- – - – -

Wisdumb

$5 for a small, polished
rock scribed with the
word “MONEY” purchased
in the hope that it
will bring the buyer more
of what they throw away

- – - – -

Crystal Clear

Crystals
culled and collected
raped and reaped
shaped and shipped
priced and placed
before eyes that sparkle back
from faces fascinated
by the faceted facade
Now held high and tight
in light for sighs
or hot to heart
like a baby cradled
with mama gooey cooing
over the aura farce force
that courses deep within
the perceiving mind:
A find!
Shiny metal and green paper
or brittle bright plastic
changes sleight of hands
Crunch out to the car
not far with
paper bag a-crinkle
That smile but a wrinkle
across a blank head
wide with wonder
and under fed
Beneath the feet
native earth
No worth
ignored abhorred:
Good lord …

- – - – -

Self-Helpless

One of the least helpful and
oxymoronic items in the universe:
The self-help book.
If the person was capable of learning
through instruction/observation
by themselves
they would not need the book -
thus they do not need the book
nor could they use it if they did.

Self-help books only help two kinds of people:
authors and publishers of self-help books.

- – - – -

For Mother Earth

Q: Do you have any small, round crystals?
A: Round? What color?
Q: Any color – brown, grey, black: whatever. Pea size.
A:  Perfectly round? Polished? Do you know the name of the crystal?
Q: They don’t have to be perfect. They can be rough, uneven. Just regular crystals.
A: Pebbles?
Q: Yes, exactly. Like that. I want them for a picture I am making for Mother Earth.
A: No. We don’t have anything like that. Um, have you tried … looking on the ground?
Q: Oh … but, well, I wouldn’t want them to be, you know: dirty.

- – - – -

Epiphany Outside the Discussion

The louder and more adamant the proclamation,
the less educated and garrulous the speaker.