September 2nd, 2021 by Corey A. Edwards
“No Talkin’ Points” popped up as I mucked about with a chord form in August of 2019. What surprised me was that this one-off noodle session based on locating inside-chords would evolve into a full song.
I’m not sure why, though. That’s pretty much how they all come to be.
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April 15th, 2021 by Corey A. Edwards
November 6th, 2020 by Corey A. Edwards
October 30th, 2020 by Corey A. Edwards
June 26th, 2020 by Corey A. Edwards
June 15th, 2020 by Corey A. Edwards
May 18th, 2020 by Corey A. Edwards
May 4th, 2020 by Corey A. Edwards
February 27th, 2020 by Corey A. Edwards
February 19th, 2020 by Corey A. Edwards
March 27th, 2015 by Corey A. Edwards
I’ve been getting back into guitaring, as I like to say, and this has gotten me back into … looking back at things which have sprung before, unbidden from the instruments I torture.
Steamy Creamy Beanness is a musical idea I’d almost forgotten about – a bit of doggerel, a knock off – but I rather like this short edit of my initial concept combined with this silly, time-lapse video, here. Doop-de-doo … what else lies in these vaults, I wonder
Once again, please forgive the sound quality (much less the hamhanded playing) – this is recorded live onto boombox sometime in 2002.
May 13th, 2013 by Corey A. Edwards
It’s November, 2007 and at my suggestion, my 12 year-old daughter, Mel, is busy shoving wads of toilet paper into her ear canals.
It’s her first rock concert, you see, and we’ve already walked 20+ blocks from the ferry terminal in downtown Seattle to a place called “Neumos” and here I went and forgot the earplugs.
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May 9th, 2013 by Corey A. Edwards
I’ve really been enjoying my record collection now that I have a new turntable (a Pro-Ject Debut Carbon – incredible value for the price) and, from time to time, have encountered a few aspects of listening to rekkids that you just don’t get with any other medium – especially with the now ubiquitous digital files!
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April 22nd, 2013 by Corey A. Edwards
April 15th, 2013 by Corey A. Edwards
In early spring of this year, I returned to my hometown for a short visit with family and friends. During the visit, I managed to collect two recordings of my youth, one of which is the album I can pinpoint as having been instrumental (*snicker*) in awakening my interest in sound.
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June 30th, 2012 by Corey A. Edwards
The last few months have seen my return to music creation at the cost of much else in my life. I remain obsessed with regaining – and then hopefully surpassing – all past musical endeavors and, as such, have spent much time in pouring through the audio diary I’ve kept (more off than on these last five years) since 1991.
Thinking quite correctly that the better bits would be at the end rather than the beginning, I started transferring the most recent tapes to digital and sifting through the resulting tracks for nuggets with which to kick start the practice and aim of my renewed passion.
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April 21st, 2012 by Corey A. Edwards
Back before you could steal music from the internet, you actually had to go to the effort to drive all of the way into town to shoplift it from a store. And if you were into vinyl, it was a bitch to get that shit under your shirt without anyone noticing.
Oh, record stores, how I miss your once, near ubiquity.
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December 20th, 2011 by Corey A. Edwards
I stumbled across “MODULAR: Sonic Explorations” while hunting for an Eyvind Kang track on YouTube. Situations such as this make me reflect that, while I miss record stores terribly, dammit, I love the internet.
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December 10th, 2011 by Corey A. Edwards
When I first heard about Yoshida Tatsuya’s “Ruins Alone,” a solo version of the band by its composer and drummer, I have to admit I was dubious. I guess I was expecting something along the lines of John French’s “O Solo Drumbo” – essentially Captain Beefheart songs stripped down to the drums. Interesting but … not necessarily something I listen to very often.
Ruins is primarily known as a Japanese drum and bass unit, cranking out heavy, hard to categorize, start and stop on a dime, jazz/prog/avant-garde music fit for weirdoids like myself.
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November 26th, 2011 by Corey A. Edwards
I fell in love with music very early on in life but, as with the visual arts, never really caught the bug to create any myself until well past said age.
In 1989, I began work as a security guard and there met Bruce Norton, an amateur blues guitarist. In casual conversation with him, I voiced the guitar-playing pipe-dream most young men of our culture have and he assured me that the dream could be realized. In short order, he sold me a guitar and showed me a few tips and tricks.
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