I wrote a song
it isn’t very good
I couldn’t find a rhyme
for every wood
I cannot play it
like I oughta should but
I wrote a song
I wrote a song, man!
I wrote a song,
a really real song!
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November 29th, 2017 by Corey A. Edwards
May 17th, 2009 by Corey A. Edwards
January 5th, 2009 by Corey A. Edwards
I first stumbled across The Monks of Doom in the late 90’s while on an Edward Gorey tear via eBay.
The Monks of Doom were one of the few groups that had put Gorey’s mad genius to music at the time. When I realized that the same group had also covered Syd Barrett and Frank Zappa – on the same disc! – I just about swallowed my gum: here was a group of musicians speaking to people like … me! Wow!
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December 15th, 2008 by Corey A. Edwards
Around five years ago I went through a phase of interest in “Outsider Music:” music composed and performed by folks who know exactly what they’re doing, even if no one else does.
This is music that is not purposefully strange, such as the kind of thing Frank Zappa might do, but music that is pure in its difference because the source isn’t consciously attempting to be odd. (Irwin Chusid’s “Songs In The Key Of Z” book and accompanying cd’s are a wonderful intro to the concept)
Daniel Johnston is one of the more famous purveyors of this “outsider music,” most of his songs containing an accessible pop strain that distracts you from his psychosis and often somewhat broken, lo-fi delivery.
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December 8th, 2008 by Corey A. Edwards
I go back and forth on Adrian Belew: some of the music he has put out is absolutely brilliant, other things are a real affront to my ears.
I do have a pretty good way of figuring out, before hearing a piece of his, whether I’ll like it or not: If it’s instrumental, I’m interested. If it has lyrics, I’m extremely wary. (of course, that’s my attitude with music, in general) That being said, the man can write the occasional set of lyrics that work for me. This week’s song is such.
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December 1st, 2008 by Corey A. Edwards
I was introduced to Beck’s music in 1994 by a wack southerner named Aaron via a promo EP he’d scored entitled: “Loser.”
The soon-to-be-famous title track had yet to gain the rotation that would propel its author to stardom and the opinions of most who heard it at the time were that it was a goofy knock-off that would fade as quickly as it had arrived.
Aaron was not so sure.
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November 24th, 2008 by Corey A. Edwards
November 18th, 2008 by Corey A. Edwards
November 13th, 2008 by Corey A. Edwards
November 7th, 2008 by Corey A. Edwards
Considering the week’s turn of events, these lyrics, which I love, seem radically inappropriate but when I think of myself and those like me whose natural tendency is to doubt hope (in truth a kind of insulation against disappointment, an emotion that, of late, I’ve had my fill), I think we can use a song like this to remind us that we are as ridiculous (if not more so) as those whom we disparage for displaying an emotion that we are too often too afraid to allow in ourselves.
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